Now its the Pinblocks turn
Now its the Pinblocks turn
Now its the Pinblocks turn
Approved!
Approved!
Approved!
Approved1
Approved!
Meet Krispy
Meet Krispy
Meet Krispy
Welcome to the home of Krispy
One fine day we received a phone call from one of the many insurance companies that rely on us for our expertise.  "Fire damage" was what they called it, but its never that simple. The fire had just about engulfed and destroyed the entire house.  The ceiling was now on the ground, and the walls were merely skeletons. This meant that the piano was now also exposed to the elements and soaking wet from the battle that raged the night before. This piano had to be picked up, and in a hurry!   Knowing the urgency to get the piano to a controlled environment, we loaded the truck with the necessary tools and sprung into action.  When we arrived at the house the air was heavy with the smells of melted plastics, metals and charcoal.  We knew that soon we would discover that not only had the ceiling come down,
Images of completed work
Images of the shop
Images of our work in progress
Krispy.
The story of a pianos life while at Ackermans
Meet Krispy
Meet Krispy
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Images of completed work
Images of the shop
Images of our work in progress
Krispy.
The story of a pianos life while at Ackermans
Images of completed work
Images of the shop
Images of our work in progress
Krispy.
The story of a pianos life while at Ackermans
Krispy.
The story of a pianos life while at Ackermans
Images of our work in progress
Images of the shop
Images of completed work
                                                                                                           the piano was to shovel a pathway though the remains of the upper half of the building.  When we finally did reach the piano it was hardly recognizable, seeing as how it was buried in sopping wet insulation, and drywall.   It was at this moment, before the piano was even loaded into the truck, that we began the long process of restoring the piano to its former glory. 

"Dry and fast!"  All of the sopping wet insulation had to be pulled off, and out of the piano.  "Everything that can be reached without taking the piano apart!" I remember my father saying this as he rushed to gather the skid board and towels.  The rest would have to wait until we arrived at a controlled environment. After giving the piano a quick wipe down with paper towels, using them to soak up as much of the water as possible, we removed the legs, lid and music desk. Then we lowered the piano onto a skid board, strapped it on, then moved all of it through the remains and into the truck.  On the way back to the shop we discussed methods  to get the piano dry and stabilized. By the time we arrived back at the shop we had settled on a plan and called ahead to have the preparations made for a total disassembly.  We had to put a stop to the damage that the moisture was causing as soon as possible.

I remember the look of determination on everyones faces as we pulled the piano out of the truck and began to dissassemble the piano.  At one point I chuckled as Tony, one of our technicians declared that "We will save this piano!"   As he began to remove the strings.  One of the guys remarked on how even  though we havent gotten the go ahead from the insurance company for restoring the piano that were already  getting ourselves "emotionaly involved".  Its hard not to, so much goes into these pianos.  At this point though, all were realy allowed to do is stop anymore damage from being caused.  Once that is done we communicate what needs to be done to restore the piano then wait for an approval.
but that the only way for us to get
Shortly after stabilizing the piano we sent out an appraisal as well as an estimate with our recommendation for restoring the piano, A few weeks went by and sure enough we got a call with an approval for the pianos restoration. The work was to begin right away!

As always its first things first!  The piano was badly water, and fire damaged and needed to be totaly rebuilt and refinished, We started by stripping the case, and all the parts of finish.  We dont use a typical "dipping" tank when
stripping parts, our system is state of the art, we wont be placing the pieces in a stagnant pool of stripping liquid, and walking away.  Instead we use a flow over system, that requires someone to stand over all the parts to ensure the cleanest strip possible, our method also reduces if not eliminates the possibility of "stripper burn" or veneer coming loose.  The parts and the case now being free of the ruined finish is ready to be sanded down to a clean unblemished surface.  Before we did that though, we began the process of replacing the soundboard, all of the moisture that it had accumulated had actually began to turn the soft spruce board to mush.  We order our soundboard blanks from Buldoc they come oversized with certificates of authenticity, so as to show where the wood came from.  Several companies have begun to use lesser quality products that just don't have anywhere near the same tonal quality, that the Buldoc Spruce has, and as far as were concerned only the best will do!  Every Rib is individualy made to match its predecesser perfectly using micrometers and dial calipers to measure and size them with incredible accuracy, then each rib is dried and fit to its specific notch in the case, after fitting the soundboard blank to the case we locate the ribs and place the parts to be dried into our box.  During the drying process we sand and prepare the inside of the case, as well as shellac and finish the bottom half of the inside portion of the case, once the soundboard is installed this would be very difficult.  Now that the soundboard is dry we proceed to glue the ribs to the soundboard on our crowning table, specialy made to with a gradual curve in the top to help give the soundboard its crown.  One rib at a time we use go bars to press each to the board being sure to clean all of the excess glue.   Once the glue has dried we then clean and preform final preporations  to the bottom side of the soundboard in preparation for sealer, and clear.  At this point we go over the soundboard one more time to check that all parts are exact and that the board will have the best fit possible.

      Meanwhile, the case is undergoing an extensive
process that began with stripping the destroyed finish off, and meticulously sanding out the old stain with varying grits of sandpaper starting at 100 working up to 320 all the while completely combing and repairing damage of all kinds, such as scratches, dents, dings, and even cracked or split veneer, this is not uncommon in fire damaged pianos.  Krispy, due to its unfortunate/unlucky location in the house had to also be bleached with Oxilic acid which is a chemical grade crystal that when heated will pull out nearly all artificial color caused by the water damage mixing with the parts of the house such as the insulation.  We do this just before our final sanding with 320 grit sandpaper.  Krispy is now at the half way point for the refinishing portion of the restoration, and were only a month and a half into the job.
      Now that the case is ready its time to take on the Pinblock.  I have found over the years that almost all of our competitors have problems in this area because of how precise the replication has to be.  Every time I think I've seen it all, we get another example from the competition of what not to do . The pinblock must fit the cast iron plate perfectly, no rocking, no gaps, no joke, if this is done incorectly it can actualy cause the cast iron plate in the piano to break!  One of the things we tell people all the time is that if the plate is broken then that
Now its the Pinblocks turn
Now its the Pinblocks turn
piano has had its last supper.  It is very rare that a piano can be brought back from a broken plate, because Cast Iron does not take to welding very well, so when we say perfect we mean it.  Not to mention that all of the holes must line up centered where the tuning pins go through the plate.  Now that the Soundboard and  the Pinblock are ready to be glued into place we do one more final dry fitting into the the piano, lower the plate in on top, and check that everything (downbearing, speaking length, crown, hole placement, ect...) is perfect.  We even take a piece of paper and try to slide it between the plate and the pinblock! Once we are satisfied that everything is perfect we mortise and bolt it to the case using the same methods that the manufacturer used to ensure that no slippage is possible, and that the final placement is perfect.